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The Art of Graffiti Removal with Mötsenböcker’s LIFTOFF

Mötsenböcker’s LIFTOFF eco-friendly products have been in use since 1978, and are repeatedly voted among the most effective cleaners and removers in the world. Their graffiti removal products are not only certified green, but work at the level and performance of a professional graffiti removal company. With environmental awareness and concerns at a necessary high these days, many companies are offering safer, more ethical products to replace the hazardous ones.

LIFTOFF can be used on multiple surfaces, from concrete to cars. And while it may require a stiff brush to scrub away the spray paint particles, and in some instances power-washing, its water-based, biodegradable formula can be directly hosed off. Given the frequency of rainfall in Seattle, the absence of pollutants in LIFTOFF’s graffiti remover doubles the positive impact on the city.

Removing graffiti is not overly difficult, but does require the right tools and attention to environmental details. The damp, humid climate of Washington makes for slightly less effective removal techniques. Furthermore, the longer the graffiti has had to dry and set, the more rigorous the cleanup process will have to be. While graffiti is generally found in industrial areas containing enough concrete, brick, and metal surfaces to provide an expansive canvas, it’s not uncommon for cars, glass windows, and wood fencing to be targeted. Popular graffiti removal techniques usually involve extremely toxic chemicals such as acetone, naphtha, turpentine, and methylene chloride, which wreak havoc on the environment and can be potentially hazardous to your health. A professional graffiti removal company will employ a Molotov cocktail of the above ingredients, and charge a hefty price for the service.


A History on Graffiti

Graffiti has been in existence since the first cavedwellers, with popular historic locations such as Rome, Pompeii, and Cairo all sporting ancient wall markings in the form of crudely drawn figures and painted murals. Even by today’s standards some of the content is quite shocking, and some of it is undeniably poignant. Love it or loathe it, graffiti has been in existence for thousands of years, and doesn’t show any signs of stopping. This can pose a real problem for metropolitan cities, and those burdened with the task of drawing the line between art and vandalism.

Since its last audit in 2010 it was reported that the city of Seattle, WA spends between $1.1 million to 1.2 million each year on graffiti removal and prevention, with only 1 percent of all graffiti estimated to be gang-related. The majority of graffiti is credited to the local tagging subculture of suburban kids and people in their 20’s.


Graffiti vs Art

While the verdict is in the eye of the beholder, it’s generally believed that where graffiti is unwanted–private property, revered monuments, historic structures, and establishments dedicated to providing public services–it’s vandalism. Great graffiti art not only lies in the artist’s skill and inspiration, but in their sensitivity to placement. If permission was neither asked nor granted, and the tag delivers no deeper message or intent for public enjoyment, it’s safe to say it was a thoughtless act of debasement.


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